Canned Dragons

Strategems, gambits and wiles.

Noise

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  • We Might As Well Be Strangers

    The last few days have brought with them some serious nineties nostalgia. So it’s fitting that Weezer released a video for their new single, “We Might As Well Be Strangers.” The song represents a return to the form for the prolific but not always consistent band.

    Perhaps the best part of the song and the video is the inclusion of guest Karly Hartzman of Wednesday. Hartzman brings her punk rock sneer and pout to the breakup song. As Grace Robins-Somerville notes for Paste Magazine, Hartzman perhaps outshines Weezer’s frontman.

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  • Chemicals Make You Small

    When I read that Hammock had collaborated with The Flaming Lips on their song “Chemicals Make You Small,” I was a bit shocked. Wayne Coyne and The Lips are brash, experimentally noisy, irreverent, sometimes goofy and often oversaturated. They seem to have almost the opposite of Hammock’s ethereal, slow, quiet and completive approach.

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  • Jim Carol New Year

    With Life in Small Spaces, the upcoming album from Black Marble, the project’s creator, Chris Stewart, taps into one of my semi-obsessions. The album’s description on its Bandcamp page has further details on the clue we are given with the album title.

    It is an invitation to accept and consciously agree to a more minimal lifestyle for the sake of creative expression and freedom, and to never need to compromise your values for the tempting illusion of success.

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  • Quick Hit

    Clive Thompson has the story of how Phil Collins accidentally invented gated reverb, the drum sound of the 80s, by leaving a talkback microphone on.

    Normally, the reverb on a drum hit is intense at first, then slowly fades away. But in the Phil Collins drum session, the accidental reverb behaved differently. It had a nice, loud, booming reverb for a moment — then the reverb abruptly stopped. This created a very cool new type of drum sound. It was boomy and huge, but wasn’t messy, because the reverb for each drum hit ended before the next drum hit.

    Gated reverb was used to startling effect on “In The Air Tonight” (watch a first-time reaction video to the song if you haven’t already). Prince jumped all over the drum sound, and it was also used by Kate Bush, John Cougar Mellencamp, Hall and Oates, and Duran Duran.

  • Don’t Panic

    Despite seemingly being designed by a corporation to be mostly inoffensive, sometimes to the point of banality or worse, Coldplay launched into the world consciousness hot, with “Don’t Panic,” the song in the pole position on their debut album Parachutes. Though I personally feel more generosity towards Chris Martin and crew, some believe “Don’t Panic” is the band’s only good song.1 Whatever the case, the track was certainly a winning way for Coldplay to announce their arrival on the scene.

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  • Heart Still Beats

    I’ve been on a post-punk x new wave kind of kick the last several days, after I learned Black Marble (who I blogged about last year) are going to be playing nearby in September. The algorithm overlords recommended Castlebeat to me after the end of a listening sesh of Black Marble’s Bigger Than Life. I hadn’t listened to Castlebeat in a few years, but remembered them from this fan video using footage from the best movie ever to take place in a Target big box store: Career Opportunities.

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  • New Cans

    I recently hit my 20th anniversary (!!!) at the company where I work. Instead of a gold watch, I got what amounts to about $400 in a foreign currency they call “Spotlight points.” Thought I didn’t pull the trigger right away, my immediate thought was to blow the lot on a pair of Sennheiser HD 650 headphones. I’ve been researching these cans for some time now, but even at a consistent 38% off, a price point of nearly 400 bones meant I wouldn’t just impulse buy these things.

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  • Tapes Of Yesteryear

    Niko Stratis writes about the comfort of physical media and older technology.

    Let us suffer no worries or troubles, we have salvation in our walkmen and their analogue batteries. Never mind the truth of these eras, the 90s and the days before and after are years often cast in imperfect light as moments in time when we were a proper society. That’s not true for all, and you only need to engage with the culture of the time with eyes open enough to see the hardships and downfalls for many. But still, I understand the desire to glamorize it, and hold the past as indelible proof of a better time.

    Pockets have gotten smaller, I’ve noticed, and I imagine that’s because of the shrinking of technology. We don’t have to carry Walkmans and CD Walkmans anymore, and so the pocket industrial complex has responded in kind. Who needs all this space when we no longer own anything we’re able to hold.

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  • The Perfect Indie Pop Song

    A few weeks ago, I saw Mark Robinson from Unrest/Air Miami/Flin Flon open for the Wedding Present at the Motorco Music Hall in Durham. Although the bill clearly stated that Robinson would be playing Unrest songs, imagining him doing those songs without the two other band members, Phil Krauth and Bridget Cross was challenging. Whatever images I could conjure didn’t match the actual show.

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  • Olly Thoughts

    Olly, the developer of the Pagecord blogging software, just published a post on something I was thinking about with regards to music. I’m not buying a lot of physical media these days, but when I do, it’s usually CDs. I just went to a new record store called Hunky Dory that just opened downtown near me, but they weren’t celebrating Record Store Day. I wasn’t sure about going because I didn’t think I would buy anything. So I can relate to Olly.

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